a couple more post so you can see the progression
"Ok so why am I listening to the Division Bell?
I mentioned that I didn't give this the respect after the split but I'm sure giving it respect now.
You know though I don't think I still put it in the same Pink family until today when listening on the new floor.
Super deep layered drum tones that I didn't know was there and a lot more of "wish" in here than I thought before. David and guys, you really did a great job with this and glad I can hear it now. The instruments really speak with all my newly gained tonality.
So I guess I need to give the breakdown between carpet and this.
let me start with percussive clarity
Nothing is thin as what happens a lot of times when people speak clear. No this is quite thick and full, with a layering that was hidden only a few days ago. I didn't know it was missing but when I hit play, right off the top was a sense of liquid punch that spilled all over the stage. i have a guest staying here tonight but as soon as they are gone I'm having me an all nighter.
As good as the room was before it now is showing me that it was not really connected to itself. The images are now a part of each other and not standing alone only. And that dull sound is history. How much dull is in carpet I can not tell you till it is gone then you feel like you took a shower and washed off the dirt. And you notice muscle where there was none because all the dirt was clouding it up.
So does carpet add punch as they say on other forums. In this case no. It added mud and that lack of much of what is in the musics content. My space seems so much more alive and real. I say alive and this should not be confused with bright because in this case what was a little brittle is now not.
The question came into my mind after about a half hour "are these really mini mods?". Is my mind deceiving me or did my tiny speakers just get a lot bigger sounding? Even from my writing room I am sensing "big" coming from the listening room. And a lot more tonal depth.
This is another area where the wood beats up on the carpet. The tonal depth is much deeper and I'm looking more deeply into my stage with a 3D type of feel and emotion. Keep in mind this is very brand newish and yet a big change from before. I welcome this change and so far have not heard one thing from the carpet that I feel I want to return to.
What are these guys talking about when they say add carpet? I just heard an acoustical guitar break that was so much more rich and detailed than with the carpet that I had to run to the room quick to see what was up. These guys who say carpet I think must have a lot of issues in their systems cause I don't have much acoustical tuning yet and with this hard wood and simple setup things are very groovy feeling with I lot of toe tapping and feel good stuff.
drums and oh my the drums sound better than my tile floors did as well"
and
"Oh the magic of closets!
You never know what your room holds until you use it.
Funny how we think sound stops at the walls of our particular space. What builds that fixed thinking in our brains anyway. Do we think that energy has these stop signs around them? Let me tell you if this is your thinking your probably limiting the possibilities. I'm sitting in this little room and the soundstage is beyond the walls by maybe 3 feet in any direction at this point. Is it a huge soundstage? No but there are many tricks going on that make me feel like I'm a part of the sound and this illusion is big enough that I have no sense of small. Last night I went from Floyd to the "Led". Oh no you say this is not going to be good cause of the different recording styles but actually they both have a ton of moving effect and that makes good for seeing the stage.
put on CD 1 and see how big and full your stage is compared to mine
If it is not flowing around your room you are looking at some "for sure" blockage.
Whole lotta love, for example right now (it will get better) the movement of the guitar to the right in this little room is
It's far from perfect but not bad and does pull you into the music.
With this recording the green is the size of the stage, but I may be being a little conservative here cause when I just walked in and sat for a miniute it actually feels like maybe the stage is a little bigger than the drawing. Some times when sitting there I get use to the overall air and forget to take that size into account. When I went back in and sat the room really did feel much bigger than what I drew, but this gives you and idea of how the right and left doesn't stop at the speaker at all but far more of a wrap around sound.
Since the floor went in I do have the speakers back about 4" from where they were before and I have a feeling when I bring them up the space will move to even a bigger environment but this was pretty fun at first setup so I wanted to take it in before tweaking.
I'd be interested to hear if you are getting the guitar clearly on the right infront and off to the right of the speaker?
The whole CD in this setup has a bigger than speaker width to it's sound. The same has been true with all the recordings so far and for me it's fun sitting in a space with the sound pushing past the walls. Kinda cool cause you forget that the room is small. It feels more like a 15' x 15' room when sitting there.
I started this with the closet so I should get back to this.
This is one of those rooms that likes the closet and the entry door to be used as ports. Sometimes rooms like being shut down and closed in and other times when you use these spaces great stuff happens.
Remember in Bob's room how magical it was at first. I was surprised when I walked in. There was some great stuff going on, but when I came back the magic got up and walked out the door and never came back. After playing last night I confirmed why. The secret to his first setup was the closet opening. It was acting as a port that allowed the sound to be controlled in a spacial way that worked. Once the configuration was disturbed the sound never returned.
In this room the closet is your typical closet with hollow core wood sliding doors.
it's in red off to the side
A tool in the sound would be an understatement as I can use this as not only a tonal balancer but a space giver. What all it does will take time and how I am to use it will be talked about but right now it is set with the door closest to me open. Without it (for now) the music goes a little sharp, with it the music fills in and has more body."